Studio Naegeli has once again brought an exceptional cultural experience to Gstaad by partnering with Galerie Mitterrand from Paris to present "Les Lalanne." This unique exhibition is dedicated to the whimsical and enchanting works of the iconic artist duo, Claude and François-Xavier Lalanne. Among the standout pieces on display are “Paire de Singes Alternatifs” (2013), “Grande Grue lumineuse” (2008), “Miroir Hortensia” (2009), and the extraordinary “Choupatte” from 1967, offering visitors a rare opportunity to engage with the Lalannes’ renowned bestiary.

Studio Naegeli and Galerie Mitterrand's collaboration this summer is the result of a natural and inspiring partnership between Edward Mitterrand and Anna Högl. Edward, along with his father, Jean-Gabriel Mitterrand, has been deeply involved in every aspect of the exhibition, ensuring that this shared project is seamless and heartfelt.

Q: The "Les Lalanne" exhibition at Studio Naegeli showcases a remarkable collection of rare pieces. Could you elaborate on the selection process? What were the key criteria you and Jean-Gabriel Mitterrand prioritised when curating this collection?

Edward Mitterrand: Our choices are primarily guided by the exhibition space itself—its volume, structure, and character. We then consider the availability of works that complement the context, whether from our inventory, the Lalanne family, or loans from collectors. For this exhibition, we aimed to present a strong selection, given the presence of serious collectors in Gstaad and the distinctive roughness of the space, which demands vivid aesthetics.

Q: The exhibition features both well-known and lesser-known works by Les Lalanne. How does this diverse selection enhance the visitor experience?

Edward Mitterrand: It’s crucial to introduce the Lalannes to Gstaad’s summer audience with a range of pieces, from highly collectible works like the “Oiseau de Jardin à Bascule” to more accessible ones like the “Pomme Bouche,” which, though iconic, is produced in a larger edition. This diversity makes the exhibition more approachable while maintaining its appeal to connoisseurs.

Q: Your collaboration with Anna Högl and Studio Naegeli seems to be quite organic and harmonious. What do you think are the key elements that make this partnership successful?

Edward Mitterrand: I believe that the best collaborations are those that evolve organically. I first met Anna, Alexandra, and Christian while I was still working with Stéphanie Cramer, who now runs her own gallery in Saanen. We reconnected during Gstaad Art and began discussing the future of Studio Naegeli, which naturally led to our collaboration. Anna’s determination, coupled with her soft and measured approach, fostered a trust that developed over time. She, her husband, and her sister have proven to be reliable partners, blending seriousness, a strong work ethic, and kindness—qualities that have made this ambitious Lalanne exhibition possible. I couldn’t have asked for better collaborators in Gstaad.

Q: Gstaad’s unique cultural and natural environment offers a distinctive backdrop for art. How does the "Les Lalanne" exhibition complement the artistic and natural landscape of the region?

Edward Mitterrand: Twenty years ago, I organised an Andy Goldsworthy exhibition in Gstaad, where nature played a significant role. At that time, the village was far less influenced by art collectors and galleries than it is today. The transformation illustrates how deeply art has permeated society over the years. The Lalannes’ work epitomises French taste, yet it is also deeply connected to nature and animals, some of which are part of this exhibition, such as the “Grand Bouquetin,” which ties in beautifully with Gstaad’s mountainous landscape.

Q: What role does the local art community play in the success of exhibitions like "Les Lalanne" in Gstaad?

Edward Mitterrand: The local art community’s involvement could be stronger, especially given some of the art we occasionally see around the village. I hope the village authorities will recognise the presence of major collectors and establish a municipal artistic committee to oversee public art. Initiatives like Elevation have been fantastic, and I’m optimistic that Gstaad Art will continue introducing fresh, innovative projects to the area.

Q: How do you see the art scene in Gstaad evolving in the coming years, and what role do you envision Galerie Mitterrand playing in that evolution?

Edward Mitterrand: With our new space opening in October in Paris’s 8th district, the gallery is returning to its roots by focusing on exhibitions featuring some of the strongest names in post-war art. Gstaad is a natural extension of our presence, as my father and I have been visiting for over 50 years. We have friends and clients here, and we love the winter sports. We hope to continue our collaboration with Studio Naegeli or explore new collaborative projects in the future.
 

JEANETTE WICHMANN